It was amazing! Really fun being the first upside-down blind folded tenor, helping set the standard for upcoming players who are ambitious and daring. I hope one day they will also take this challenge, creating something new that others will enjoy. It was also pretty cool that Clemson tagged me when they did it two weeks later.
Hearing the laughs and seeing the heads bobbing to the beat; building that personal connection with the audience one hit at a time.
Music should be shared everywhere. The universal language of music is so powerful; what better place to share it than through education?
It wasn't just one person, but instead, my environment growing up. Hearing Oranges band practice from my front patio, seeing the formations of two top-tier collegiate bands, the chords of a beautiful choir, and the feeling of nice jazz all collectively made me fall in love. Some of those people were my percussion instructors, Caitie Thompson and Craig Dunn, and finally, jazz directors Dr. Ishbah Cox and Zachary Zerkle.
As a percussionist, I love setting the tone of the music. The drummer can push the other bandmates to the next level. Being able to do that and set the tone makes the drummer almost like the quarterback of the band- bringing energy and feel to each chart.
When I first heard jazz, I was hooked- instantly! I loved the expression and versatility jazz brought to my life.
At first, it was my sister and our director, Dr. Ishbah Cox. But, throughout my career, it's gone from Elvin Jones, Max Roach, Buddy Rich, Miles Davis, David Brubeck, Herbie Hancock, Jacob Collier, and everyone in between.
When I was a junior in high school, our jazz band went to the Beavercreek Weekend of Jazz. After our performance, we watched their headliner concert, the One O'Clock Lab Band from the University of North Texas. Hearing their drummer lay down beats, play fills that were "out of time", and simultaneously shift feels was an incredible experience.